Each day, Vogue Runway will be chronicling the young designers’ films here.

“Advent” by Stefan Cooke

British duo Stefan Cooke and Jake Burt showcase their new menswear in a black-and-white film directed by Eddie Whelan. The short, which is dialogue-free, features silhouetted models walking in front of traditional British scenes to a pulsing soundtrack by Lukas Heerich. “Part of the magic of this label is how it sweetly strips the underlying brutality from British masculine clothing traditions,” wrote Vogue’s Sarah Mower in her review. The film does the same, offering an un-stuffy, human take on the male dress codes that Cooke and Burt so beautifully subvert.

“Morn came and went—and came, and brought no day / And men forgot their passions in the dread / Of this their desolation; and all hearts / Were chill’d into a selfish prayer for light.” Depressing pandemic poetry or a snippet of Lord Byron’s “Darkness?” That quote is from the latter, which inspired the duo’s film, though it feels especially apt considering the global lockdowns. JordanLuca’s Jordan Bowen and Luca Marchetto offer a salve in their new film directed by Conor Clinch that imagines “a world where darkness becomes light.” A boyish protagonist discovers a hidden rave in London, and gets a moment of reprieve from isolation and the bleakness of night.

“Import Settings” by Shanel Campbell

New York-born and raised artist Shanel Campbell created a film of juxtapositions for #GucciFest. Combining her fashion work with collage, film, illustration, and photography, Campbell’s film “Import Settings” is a powerful display of her aesthetic taste and an uncanny ability to meld her own past with a futuristic vision. “I am simultaneously communicating with my ancestors and descendants,” she has said of her label Bed on Water. On Instagram, Campbell expanded on her ideas, describing the project as “a short film about whatever you want it to be about featuring femmewear from a future collection.” Chances are you will be seeing much more of this femme futurewear very soon.

Like any good fantasy film, Boramy Viguier’s “Lord Sky Dungeon” opens with a hefty tome that is magically set ablaze. The Lord of the Rings font of the title cards immediately declares this to be a mythic quest of sorts, and over the span of two minutes, Viguier’s heroes journey through a fantastical world with all the trappings of sci-fi classics. “Unsettling, to be sure, but also visually hypnotic,” wrote Vogue’s Mark Holgate of Viguier’s spring 2021 collection earlier this year—and the same could be said of this film, directed by Samuel Rixon.

“Taro Buddha” by Yueqi Qi

“This film is based on real memories of my hometown, Kaiping, China,” begins Yueqi Qi’s film “Taro Buddha.” Over the course of a day, the protagonist gets dressed and celebrates her birthday, visiting friends, family, and marketplaces, before ending up at a small dance party. The titular taro buddha makes an appearance mid-way through as a part of the heroine’s supper, complementing Qi’s brightly colored garments, which fuse Chinese traditions with new silhouettes and ideas. “The intention was to distinguish any embarrassment of humble beginnings and to champion home (even if best loved at a distance),” the brand posted on social media. “You can find your God anywhere; even on a plate with some chicken.”

“A trailer for a video game that doesn’t exist,” is how Gareth Wrighton and Zach Beech describe their short film. (In this, it provides a nice counter to Collina Strada’s own video game film.) Scenes of rich forests zoom out to become theaters or malls, while Wrighton’s zoomorphic characters lackadaisically navigate the space. His well-known knit rabbit hat makes a starring appearance, as do his send-ups of popular characters like Sailor Moon. In the end, the film reveals that the “mall” of the video game is a sort of post-apocalyptic store where everyone is just trying to survive. Too real?

“Repugnantam” by Charles de Vilmorin

French designer Charles de Vilmorin begins his short film by sketching demonic creatures from his imagination. Over the next four minutes, those fantastical and quite fabulous demons become real, haunting de Vilmorin within his Parisian apartment. They have glimmering skin, crystal piercings, and prod the designer while wearing his over-the-top creations. “Would you not say that we created you?” one creature asks the designer. It’s a clever take on the creation myth: wondering if maybe the muses are the makers, after all.

“Jord, Luft, Eld, Vatten” by Rave Review

The title of Rave Review’s new film translates from Swedish to “Fire, Air, Earth, Water.” The four elements are represented more abstractly than literally in the short, directed by Jens Löfgren. A gaggle of models wearing the brand’s new capsule collection of upcycled outerwear stomp through Sweden, their bodies morphing and transforming in Löfgren’s surreal lens. The overall effect is one of strangeness, but don’t let that distract from the message of designers Josephine Bergqvist and Livia Schück. Their bed sheet and quilt coats have a realistic, universal appeal, with prints and patterns for every aesthetic. If the film paints them in a dramatic light, know that their ready-to-wear is exactly that—ready for wear in the twisted modern world.

“La Tassinara” by Cormio

Jezabelle Cormio and Gucci’s Alessandro Michele are kindred spirits. Raised in Rome to Italian-American and Italian-Croatian parents, Cormio has a deep affinity for history and its more emotional resonances. After graduating from Antwerp’s Royal Academy of Fine Art she launched a collection with a decidedly Tyrolean vibe—see the dirndl and trachten dresses and the delicate Austrian embroideries for proof. Communing between European cultures is just one of Cormio’s strengths; “La Tassinara” also shows her compassion for the everyday. In the Gregorio Franchetti-directed film, a taxi driver becomes the unlikely companion to a trio embarking on a night on the town. The strange karaoke sequence that follows is David Lynchian in its bringing together of disparate characters and suspicious serenity. Michele would surely love it.

“The Pedestrian” by Bianca Saunders

“Three words to describe me,” says a handsome model at the start of Bianca Saunders’s pre-fall 2021 film, “fun, spontaneous, and pretty.” Smirk! The concept for the Akinola Davies Jr.-directed short is a low-fi dating show. Their contestants’ style is intentionally heightened, courtesy of fashionable hairdos and Saunders’s garb, but their casual pick-up lines don’t lose any of their dingy club charm. Perfect dates range from a game of laser tag to a sandwich in Deptford, and the dudes clutch cellphones, bouquets, and a small espresso cup in their hands as they make nice to the camera. The film follows Saunders’s much-admired spring 2021 collection titled “The Ideal Man,” which drew on photographer Hans Eijkelboom’s 1970s pictures. “I found this work Eijkelboom had done, where he interviewed women about what they considered their ideal man to be, then dressed himself up as that, and photographed himself with them,” she told Vogue’s Sarah Mower about that collection. Suffice to say the ideal man of Saunders’s new collection is as dapper and alluring as ever.

“Drip City” by Mowalola

A neon crescent moon sets on Mowalola’s animated short and then a comet crashes into the sea. Designed by Mowalola Ogunlesi and David Killingsworth, the 3-D animations shown in the film push Ogunlesi’s creations into a super-human form. On a Super Smash Bros-esque floating arena, amphibian and mammalian creatures convene wearing acid-hued versions of Mowalola garments with hefty, lug soled—and radiantly lilac—boots. As a character traverses an interstellar runway to meet a silvery alien that looks strangely like a rabbit, the screen reads “SLATT: Slime Love All the Time.” What to make of it? That Ogunlesi, who was named the design director of Kanye West’s Yeezy x Gap endeavor earlier this year, knows no bounds.

Til Death Do Us Ride by Gui Rosa

If Gui Rosa’s short film Til Death Do Us Ride gives you John Waters vibes, well, that’s sort of the point. Together Rosa and his director, fellow Central Saint Martins grad Harry Freegard, have adapted Waters’s OTT, “pope of trash” style for today through their previous films and roles as muses to fellow Londoners Rottingdean Bazaar. Rosa’s film for #GucciFest is a kitschy road trip that translates the tongue-in-cheek aesthetic of his designs into dialogue and visuals. It’s bizarre, funny, outrageous—six minutes of pure LOLs! The mood complements Rosa’s garments. An expert knitter and crocheter, he makes vibrant pieces that send up gender norms and fashion traditions. Make special note of his truly wild ruffle creations mid film—and place some bets on which celebrity wears them first.

Emerald by Rui

Parsons MFA graduate Rui Zhou explores the magical aspect of fashion in her new film, Emerald. Written as a parable, the short features a rabbit with an emerald eye as its protagonist. Other animals obsess over the rabbit and its mystical powers, and seeing the effect it has over the animal kingdom, the rabbit aims to bake a cake with an emerald inside to share the beauty with a cast of animal friends. The creatures are played by human models wearing layered bodysuits and tops from Zhou’s collections. “I really like a peaceful world—a very soft, gentle emotion,” Zhou told Vogue earlier this year. The film and her subtle, interlocking pieces send that message. So many bodysuits on the market overtly objectify the body inside them. With subtle metal closures and translucent materials, Zhou’s second skins telegraph tenderness. What a nice emotion for now.

Joy by Ahluwalia

The London-based designer Priya Ahluwalia was an LVMH Prize finalist in 2020 and has gained international acclaim for her sustainably made designs. In her short film, Ahluwalia brings together British communities that reflect her own, from Nigeria, Jamaica, and India. Directed by Samona Olanipekun, the five-minute short spotlights more than a dozen people in England discussing how their cultures intersect and inform their lives. Ahluwalia’s thoughtful clothes provide a through line between scenes of female boxers and direct-to-camera interviews, offering a wardrobe of upcycled materials that honors her own story as a young woman raised in South London.

Collina Land by Collina Strada

Hillary Taymour one-upped her spring 2021 video by creating a video game for her latest collection. The interactive platform she created with photographer Charlie Engman and multimedia artist Freeka Tet turns many of Taymour’s favorite models into avatars who navigate a hyperrealistic terrain, collecting points and engaging in live game chats along the way. It’s as psychedelic as any Collina Strada film, giving Taymour’s deadstock and upcycled garments a virtual life. Her vibrant aesthetic and inclusive message pairs nicely with the themes of Gucci’s own films, celebrating individuality, inclusivity, and dressing up—even if you have nowhere to go.